![]() ![]() Dan O’Bannon’s The Return of the Living Dead further cemented the appeal of zombies by making them creatures who desired to eat brains. ![]() Rather than borrowing from the voodoo elements seen in White Zombie (1932) or I Walked With a Zombie (1943), most of the zombie movies that followed in the ’70s and ’80s borrowed from the rules Romero established in his trilogy Night of the Living Dead, Dawn of the Dead (1978) and Day of the Dead (1985). The walking dead, which Romero referred to as ghouls - distinct from the creatures that Haitian folklore referred to as zombies, came to define his career and led others to follow in their wake. With Night of the Living Dead (1968), Romero not only helped usher in a wave of independent horror but created the birth of the modern zombie. While the Alex Garland-penned 28 Days Later proved to be markedly different from the zombie movies that had come before, it was still situated in the legacy of George A. While the British film had already enjoyed success abroad and on the film festival circuit, it seemed fitting that 28 Days Later should find unexpected success and make its pop-cultural mark through its limited release in America, the birthplace of the modern zombie. ![]() In June 2003, Danny Boyle unleashed his outbreak movie, 28 Days Later, on an unsuspecting American public. Fifteen years ago, zombies started running. ![]()
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